the albatross, coming in october!
In the last post I teased a rough version of the cover for my next mini-comic, The Albatross, and now the final version is here. Peep it:
Everything is pretty much done, and it should be ready to go out sometime in October. Digital will come first, followed by a print version. I’ll shoot out some more details when it’s time!
up next on subhumanzoids
Whooooaaaa, things have been busy lately! I check on the blog regularly, and it’s been tough to resist posting some of the stuff I’ve been working on, but I must! In lieu of actual content today, I thought I’d at least let you know that there’s some fun on the very near horizon.
First, I’ll be switching things up soon with a review of the latest movie from Kojiro Abe, AKA Jules Carrozza, Alison in Wonderland. It’s his first feature, and he’s been a long-time subject of this blog in both its current and previous incarnations, so i’ve been meaning to get my thoughts up on that. Much like the rabbit, I’M LATE.
I just finished up my second mini-comic after Slime (there are a few copies left of that!), so I’m hoping to get that printed and out in the wild sometime in early October. I still have to tone the pages and lay it out, but I recently shared a rough B&W version of the cover on Twitter and Instagram.
Also, in the interest of having more regular content for YOU, I’ll be starting a new webcomic soon. It’s going to be full-color and packed with action and jokes, but I’m not ready to formally announce it yet. Right now I’m in the process of finishing pages in advance so I’ll be able to keep consistent. I’ll just say you’ve seen the characters on the blog before…
bug kart
I know I said I was going to practice all-digital more, but doing the Castlevania comic had me hankering to draw on paper. I ended up doing all of this one straight to ink with a brush pen on Tuesday night, then I added text with a pen the next day, scanned it in, and did the toning in Manga Studio.
welcome to castlevania
Hey, a new comic! This one is another collaboration that had Wes Black (Two of a Vine) writing and me drawing. It was also my first real crack at doing everything digitally. I experimented with Manga Studio a couple other times in stuff like Film Punks, but now I’m really trying to get the hang of it and learn how to make it a faster and more satisfying process.








