the best books (i read) of 2024

I’ve been meaning to post this for a couple months, and now’s as good a time as any because it’s already April! Last year I read nearly 40 books, which might not sound like much to real-deal bookworms, but it was definitely a high for me. I tried to bounce around genres a bit but ended up sinking most of my time into horror novels. Some of them I truly did not care for, while others continue to stick with me well into 2025.

Thankfully, there were more of the latter than the former last year. With that in mind, I thought I’d put together a quick list of some of my favorites, which, for the purposes of this being my blog, I shall call the Best Books of 2024.


The Bog Wife
by Kay Chronister


Appalachian folk horror that’ll make you feel like you know how to tend to a bog and raise a bog wife of your very own. I came to find out what exactly Chronister was going to do with the premise, but stayed for the vivid characterizations of the Haddesley siblings. 

Devils Kill Devils
by Johnny Compton


This shouldn’t work for me, but I loved it. If I had known it was a vampire book I might not have picked it up, but Compton took notes from some interesting places—specifically getting vampire inspiration from anime like Blood: The Last Vampire—and went full-bore on the scope. 

The Eyes Are the Best Part
by Monika Kim


Fittingly, this book is a boiler, and one of a few I read in one or two days. Great debut with a gnarly premise and biting commentary. 

Play Nice
by Jason Schreier


I love stories about creative people collaborating and making their dreams come true, and loved this book despite not particularly caring about Blizzard’s games. It ends up being a fantastic look into how quickly some people can develop fantasy-poisoned CEO brains after pulling in a few million dollars. 

Incidents Around the House
by Josh Malerman


I really enjoyed Daphne, so I was eager to find out what Malerman had cooked up for his latest book. This is one of a few last year that played some unique, if questionable, games with formatting and narrative, but the monster in it is so effective it doesn’t matter. Real creepy haunter that has some moments that’ll cut into you.

Crypt of the Moon Spider
by Nathan Ballingrud


I need to read more novellas like this. Balingrud’s first entry in what will eventually be a series takes us to the moon, where the threads of an ancient spider are used to treat mental maladies. 

We Used to Live Here
by Marcus Kliewer


I kind of want to live in the searing discomfort of this book’s opening pages. Kliewer sets up an awkward situation that’s nearly impossible to satisfying conclude, but I dig where it ends up going. Increasingly unwelcome guests, impossible architecture and an unreliable narrator made this one stand out among a crowded year.

Mouth
by Joshua Hull


Hey, look, another novella, and this one is really fun! It’s a super quick story about a guy that ends up taking over a property with one stipulation: He has to care for a massive sentient mouth embedded in the ground. Knowing more than that isn’t going to help you.

Small Town Horror
by Ronald Malfi


Consider me a Malfi-head now, because this was one of the most smooth and satisfying reads of the year. Malfi excels at characterization, breathing sharp and bitter honesty into a former group of friends whose lives collide once again thanks to ghosts of the past that were never going to stay buried in the first place. He’s got another one out this very month, and I have a couple on the backburner I’m looking to dive into soon. Highly recommended to both horror fans and anyone who digs a story about flawed people who find nothing but doom in the mistakes of their youth. 

The Queen
by Nick Cutter

Hot damn, this one was wild as hell. I know he’s had acclaim in the past for novels like The Troop, but is the first Nick Cutter I’ve read. It definitely won’t be the last. Totally unafraid to go to some bizarre and starkly realized places, this is the antidote to any stories you’ve ever condemned for not peeling the curtain back far enough. It’s the counterpoint to all the monster movies that spent most of the runtime obscuring their marquee antagonists in shadows. It’s about big, genetically-mutated human-wasp hybrids and it does not mess around.

Honorable Mentions: You Like It Darker by Stephen King, I’ll Be Waiting by Kelley Armstrong, I Was a Teenage Slasher by Stephen Graham Jones

wielding powers and mainlining manga with author briana lawrence

For those who haven’t met her already, I’d like to introduce you to Briana Lawrence. She’s an author, a cosplayer, a panelist and more, including, as her website states, a “professional puppy petter.” She’s also my co-worker, which makes her even cooler. Thankfully, this is my blog and I can do what I want, which involves reading Briana’s books and asking her questions about them! 

Back in January, Andrews McMeel Publishing released the first volume of Briana’s latest project, In Search of Superpowers: A Fantasy Pin World Adventure. Flash forward to today, though, and it’s already no longer her latest work! June 11, 2024 marks the launch of The Essential Manga Guide: 50 Series Every Manga Fan Should Know, written by, you guessed it, Briana Lawrence. It’d be weird if someone else wrote it and I was still talking about it, but I digress. 

HOW does she do it? WHY does she do it? WHEN does she find the time? All these questions and more were burning a hole in my brain, so I used my own magic power called “I can message Briana at literally any time” and got to the bottom of ’em.

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Can you tell us about how In Search of Superpowers came to be? When did the first spark of the idea come about, and was it always going to be a novel?

So the publisher (Andrews McMeel Publishing) actually approached me about the idea! They had the idea about the kids with the superpowered enamel pins, but I had the chance to flesh out the kids and develop the overall plot, which is great because it meant I could make them as diverse (and nerdy) as I wanted. I also had the idea of their powers being a bit more subtle, like, things you might not notice right away (like Angela’s ability to copy what she sees, or Skylar keeping things more organized) and things that would probably come in handy in everyday life… but could also be easily mishandled. 

Also, since it’s enamel pins I thought, “Well… they could swap the pins back and forth, couldn’t they?” They could trade pins and play around with their abilities, like how Sophie doesn’t really like her power and trades with Skylar.

What is your process like? Give us a look at a day in Briana Lawrence’s writing life!

Hahaha, I wish I could say I was one of those “set schedule” writers. I TRY to be, but I feel like when I actually have a free day to write my brain gets distracted with other things, or I write for an hour or two then stop. I usually end up writing after work, or during lunch, or something like that. Early mornings before I clock in are GREAT for me. 

Sometimes, if the muses are nice to me, I do it over the weekend. It’s an interesting balance since my day job is also writing related, so I go between that and book writing.

Your characters are all richly defined but in a breezy, easy to digest way. How long have they been living in your head, and do you tend to flesh them out fully before diving into the story or is it the other way around? 

Thank you! I love that my characters feel like that to people. When the publisher told me about the idea they had a small amount of details about the characters, but I added a lot of my own ideas to them (which they were very happy about). One example is Angela and her stepmom, Latrice. I really, REALLY wanted to tell a story where the stepmom isn’t terrible and really is trying her best. That’s how my stepmom was, who I recently reconnected with when my dad passed away. They’d been divorced since I was, like, 14, but she was always there for me while they were together and she showed up to be there for me when he passed away, so I was like, “I have to have a good stepmom,” lol! 

I always flesh out the characters first before getting into the story. I make a Google Doc and just write out ideas and descriptions for them. With Fantasy Pin World I also figured out their powers and how they’d want to use them. I also figured out fun stuff they were into as well so the story wasn’t just about their powers, that’s why Travis is a gamer and Angela really loves Princess P, who is basically a magical girl. I feel like I have to have that nerdy touch somewhere as someone who loves anime and video games.

Congrats on getting this to the finish line and in hands physically! This obviously isn’t your first trip to the bookstores—you appear to be quite prolific!—but what was the path from page to publisher? (AKA how did you do this?)

This actually is my first book with a publisher! I’ve been self-publishing this entire time! I’ve had short stories or essays in things that are in bookstores, but this is the first book I’ve had that’s physically IN bookstores! This has always been the goal (I’ve had big writing dreams since I was nine, I know this because my mom still has all my old stories!) but it’s still hard to grasp onto the fact that it’s happening, you know? 

The path has been quite the adventure. I’ve always been writing somehow, whether it’s fanfiction or doing a bunch of freelance writing gigs. I’d travel to conventions with my wife and we’d sell our self-published books. The publisher connection came way later in life.

There’s been some major setbacks. I feel like we can all relate to that, especially after 2020. I had a lot of plans that completely fell through, but I really can’t imagine myself doing anything else but writing, so I just… kept trying. I’ve learned that you end up making connections in the most unexpected ways. Me writing a bunch of deep dives on my feelings with anime and manga got noticed, for example, and me constantly trying to get my self-published stuff out there. Now I’m working with a publisher for Fantasy Pin World, a different publisher for a manga essay book (The Essential Manga Guide), I partnered with another author for her Gamer Girl series, and one day I am going to have that magical girl animated series just so I can have an anime-style opening of them running through the grass or something. 

So I guess the path from page to publisher has been “rocky, but always trying to catch up to that dream I had as a kid.”

Do you have a preference in your writing style? As in your go-to genre or medium (comic, prose, etc.)? 

Go-to genre tends to be young adult fiction, I feel, especially if I get to have adult characters also learning and growing (like Latrice in Fantasy Pin World). I tend to write prose, but I’d love to do comics or graphic novels someday, I think that’d be fun.

You are busy. That’s just a fact. You also have a book on manga, for Pete’s sake! Can you tell us a little about that and how it came to be?

That’s where all those deep dives come in! It may have been my Kiki’s Burnout piece I wrote (I watched the movie way late in life) but I got an email asking if I’d be interested in writing essays for an anime guide. I was like “sure, I do that all the time anyway” since I was at The Mary Sue at the time. Later, the publisher (Running Press) asked if I’d like to write an entire book about manga. 

I love anime. That’s just the truth. But with manga I knew I’d have a LOT more options (especially with LGBTQIA+ content), especially since I got to pick the titles, which was a blessing AND a curse because as I was writing I’d find another manga I wanted to talk about, but alas, the book stops at 50!

I gave myself some limits, like I told myself I could only pick ONE work per creator, for example, and I really wanted to highlight a range of genres. I really wanted to show that manga is full of different genres and isn’t just one kind of story. Even if manga is more popular than ever, there are so many people who assume it’s just one thing (usually shonen) and not a medium that’s made up of a variety of stories. We got horror with Junji Ito, we got rom-coms with Kaguya-sama: Love is War, we got autobiographies like The Bride Was a Boy that simultaneously educates readers about the trans community; there’s something for everyone!

I also wanted to have some emotional beats, too, some deeper looks at why so many of us love manga so much, like writing about Bleach and knowing it’s held up as shonen royalty… but talking about how it’s what I needed because Orihime lost her older brother at a young age and I did, too. Or how I went off to college and discovered Naruto at the perfect time in my life. I also was honest about it, like I wrote about Berserk and was like “I didn’t get why so many people wanted something this dark, then my friend started reading it in 2020 and encouraged me to start, too, and I got it.”  

Manga just… does that. You can get a deep look at humanity in a story where a dude has a chainsaw for a head, but you can also get validation for being a nerdy woman in something like Wotakoi. You can get stories from gay activists like in Until I Meet My Husband while feeling really good about getting the house clean in Way of the Househusband. I wanted to capture that with this book. I really hope I did it justice!  

Finally, let’s pass on some recs. What inspires you, and what are you reading/watching right now? 

I’m not purposely making this all anime answers but…

  • Kaiju No. 8
  • Black Butler
  • WIND BREAKER
  • Tadaima, Okaeri
  • My Hero Academia
  • Killing Eve (hahaha plot twist)

Also trying really REALLY hard not to buy a Steam Deck for Hades 2.

As for inspiration, I think everyone around me inspires me. My wife and my mom are my biggest cheerleaders, and they’ve always inspired me to go for what I want. I went through a period for a while where I tried to not be a writer because I kept being told that it wasn’t a “real job.” But these two knew what was in my heart and supported it. I also have a really close group of friends who are artists, so they understand the creative drive and the desire to do this. It’s really nice, we cheer for each other and inspire each other all the time. 

Oh, and I work around a bunch of encouraging nerds 😉 

inside the buckwild sun bakery oven

I’ve been a big fan of Corey Lewis ever since I first read his Sharknife graphic novels. His art and storytelling both have an intense energy about them that’s hard to nail with the right level of sincerity, and he’s only gotten better since. His current project, Sun Bakery, has become one of my favorites, and it recently moved from the self-published zone into the gin-yoo-wine world of Image comics.

That means issues are even easier to pick up now, and I highly recommend doing so.

Besides Lewis’s incredibly bold artwork, the best thing Sun Bakery has going for it is its overall structure. It’s essentially a one-man anthology, so every comic within is a shotgun blast straight from the same barrel. It’s like Image’s Island anthology… if every comic in Island was drawn by the same dude. Or maybe it’s like Creepshow 2, except it’s a comic and it’s more Redline than The Raft. I probably could have just left this at “it’s a one-man anthology,” but I really like anthologies in general!

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I’m really into Lewis’s anything-goes approach to making comics, from the broad strokes to the tiniest details. There’s a lot of imagination in each issue of Sun Bakery, and most of the stories carry on with new chapters throughout the run. Dream Skills, for instance, is exactly what you get when you give a fighting game fan free reign to unleash his own world. In this case it’s a world in which swords rule as the ultimate weapon; just like in real life, guns are for wimps and you won’t find any here.

Look at this Dream Skills-based cover issue #3 sports. It’s one of those images you can get lost in, and I love all the movesets pulled straight from a 2D Capcom fighter.

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Arem is another standout. It’s basically a Metroid fan comic that skirts all the nasty copyright issues associated with a typical Nintendo property. Only in this story, Arem Lightstorm—the Samus Aran analog—travels to exotic planets for the perfect Instagram snaps. Arem is as solid an argument as any for Lewis’s expert handling of color and powerful layout decisions.

Here’s a cool splash page from Arem:

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And a second example of that instruction manual aesthetic I dig so much:

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There’s also choice content here for those who prefer their comics in black and white. Batrider stars a hero with a supernatural skateboard, which is about as much of an elevator pitch as I need. The layouts and direction are particularly strong here. Just dig this two-pager that’s straight off the screen. You can practically feel the animation when the Beetle crests the hill and slams down next to Batrider.

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There’s plenty more within the pages of each issue, but I’ll leave the rest for you to discover on your own. My key takeaway from Sun Bakery is nothing short of a boatload of inspiration. The one-man anthology isn’t just a great idea, it would make for a killer exercise for comic artists of all levels. Do you have a ton of ideas you want to workshop all at once? Why not do exactly that? Focusing on one story is all well and good, but sometimes you just need to break out your Contra Spread Gun and fire away with reckless abandon.

That’s what Corey Lewis is doing, and maybe everyone else should, too.

You can see more of REYYY‘s work on his website and tumblr. His GI Joe one shot is also rad. And get Sharknife, because he’s coming back in the next Sun Bakery! 

 

the silent journey of sam alden’s haunter

It’s no secret that Sam Alden is an incredible cartoonist. Like other top-tier talent, he eventually made his way to storyboarding for Adventure Time, which is like the mothership for people who are great at comics. This post isn’t about Finn & Jake, though, it’s about Alden’s 2014 Study Group Comics release Haunter, a 96-page journey that reads like a dream.

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Anyone who regularly follows Alden’s work is probably like, “yeah, DUH, Haunter is rad as hell.” After all, this was his first long-form work, but it’s also something I just happened to stumble upon at NYC’s Forbidden Planet. The story follows a young woman who runs into an ancient evil while exploring, and from that moment on the two are entwined in a fierce hunter x hunted chase.Haunter01_01.jpg

As the title of this post suggests, Haunter is a completely wordless comic. These are tough enough to pull off even marginally well. Comics are by no means dependent on dialogue or narration, but without them you really need someone who specializes in visual clarity. Alden demonstrates his skills as a soon-to-be storyboard artist with a comic that flows perfectly from moment to moment. When the action picks up, your reading pace follows suit naturally, and Haunter takes a few opportunities to dial it down and change the timing of panels to what’s practically a frame-by-frame piece of animation.

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Sam Alden is some kind of wizard with brushes and watercolors, or whatever was used to create Haunter. Streamlined characters intermingle with deep environments, and the stark black ink outlines are used to great effect, almost like an animation cel. The color scheme is reminiscent of Katsuya Terada’s classic Zelda art. Appropriately enough, it’s also been compared to a video game. I can see that; it has kind of a Fumito Ueda (Ico, Shadow of the ColossusThe Last Guardian) vibe to it.

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The act of reading Haunter flies by in a flash, but it’s also a comic I’m more likely to revisit from time to time. Do yourself a favor and pick up this and pretty much anything else by Sam Alden. I also highly recommend his Frontier book, which is available from Youth In Decline. Actually, it’s out of print, but maybe you can dig around and find it somewhere. That’s half the fun!

His site isn’t showing up at the moment, but you can check out more of Sam Alden’s comics on his tumblr.

catch one of my comics in comfort food zine!

Heyyyy… I’ve been busy! Sadly, most of what I’ve been busy with is stuff I can’t post on the blog, hence the lack of updates. Anyway, here’s one for you. I recently contributed a two-page comic to a zine by Lauren Jordan called Comfort Food Zine. The book was successfully funded through Indiegogo, and in it you’ll find a bunch of food-related comics by myself and 33 other artists.

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My comic, naturally, is about bagels. Here’s what it looks like in the book:

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It’s pretty simple. I did it all on paper in brush pen with Photoshop for the grays and a tiny bit of gradient. It was fun.

As far as I know Lauren has had the book with her at various conventions, and will be updating her store with them at some point. If you’re really interested in one you can contact me, because I have about 5 on hand.

That’s it for now! I also still have a very small amount of SLIME minis still available on the bigcartel store.