the silent journey of sam alden’s haunter

It’s no secret that Sam Alden is an incredible cartoonist. Like other top-tier talent, he eventually made his way to storyboarding for Adventure Time, which is like the mothership for people who are great at comics. This post isn’t about Finn & Jake, though, it’s about Alden’s 2014 Study Group Comics release Haunter, a 96-page journey that reads like a dream.

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Anyone who regularly follows Alden’s work is probably like, “yeah, DUH, Haunter is rad as hell.” After all, this was his first long-form work, but it’s also something I just happened to stumble upon at NYC’s Forbidden Planet. The story follows a young woman who runs into an ancient evil while exploring, and from that moment on the two are entwined in a fierce hunter x hunted chase.Haunter01_01.jpg

As the title of this post suggests, Haunter is a completely wordless comic. These are tough enough to pull off even marginally well. Comics are by no means dependent on dialogue or narration, but without them you really need someone who specializes in visual clarity. Alden demonstrates his skills as a soon-to-be storyboard artist with a comic that flows perfectly from moment to moment. When the action picks up, your reading pace follows suit naturally, and Haunter takes a few opportunities to dial it down and change the timing of panels to what’s practically a frame-by-frame piece of animation.

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Sam Alden is some kind of wizard with brushes and watercolors, or whatever was used to create Haunter. Streamlined characters intermingle with deep environments, and the stark black ink outlines are used to great effect, almost like an animation cel. The color scheme is reminiscent of Katsuya Terada’s classic Zelda art. Appropriately enough, it’s also been compared to a video game. I can see that; it has kind of a Fumito Ueda (Ico, Shadow of the ColossusThe Last Guardian) vibe to it.

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The act of reading Haunter flies by in a flash, but it’s also a comic I’m more likely to revisit from time to time. Do yourself a favor and pick up this and pretty much anything else by Sam Alden. I also highly recommend his Frontier book, which is available from Youth In Decline. Actually, it’s out of print, but maybe you can dig around and find it somewhere. That’s half the fun!

His site isn’t showing up at the moment, but you can check out more of Sam Alden’s comics on his tumblr.

cab comix

This past Saturday I hopped over to Brooklyn to check out CAB (Comic Arts Brooklyn), which I had been looking forward to for a while. The day I went is basically just all exhibitors selling stuff, which is the best, because I was able to buy a bunch of new comics and get most of them signed on the spot.

I posted a general pic of my haul on Instagram and Twitter and whatnot, but I figured other big nerds like me might want a closer look at some of the stuff I picked up.

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I really dig Jonny Negron‘s stuff, but the only thing I have of his that isn’t part of an anthology is more of an art book. I think his work really explodes in color, but it’s cool to see it in a more lo-fi look, and the way Song of Mercury was printed gives it an ethereal quality that plays nicely with its theme.

This is the only one of my new purchases I’ve had a chance to read, so I won’t really be commenting on the content of the others yet.

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One of the books that was hyped prior to the show, Earthling, is the graphic novel debut of German artist Aisha Franz. Apparently she also has a ton of minis, though, so I really need to pick those up somewhere, too…

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Patrick Kyle‘s Distance Mover has been on my list for a while, and this was a really good time to finally buy it since he was sitting right at the table behind the stack.

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I’m really looking forward to Alex Degen’s Mighty Star and the Castle of the Cancatervater. Koyama Press isn’t putting it out until April 2015, though, so thankfully there’s this supplemental comic to tide us over until then. I haven’t read any of Degen’s work yet, but I dig what I’ve seen on his tumblr so far. He was there at the Snakebomb table, too, and was really nice and excited that people were seeking out The Philosopher.

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Ryan Sands’ Youth in Decline label does some of the best work for comics out there. The Frontier series, which is leading the charge both in printing quality and featured artists, is only getting better as it goes on, so I was glad to finally nab the Sam Alden issue.

Let me pull you aside and tell you something not-so secret: Sam Alden is awesome. His pencil work first blew me away in Backyard, and I love the two-color tones in this one.

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Emily Carroll‘s Through the Woods is one of the top comics of 2014, and it looks like she might have just the best issue of Frontier on top of that. I don’t know nothin’ about that myself, though, ‘cuz I haven’t read it yet. Just sayin’… it looks like it.

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Michael DeForge is great so I try and grab everything he puts out. First Year Healthy is his newest book, making its debut at CAB, and it looks like another departure, if not in style than in narrative at least. I can’t wait to read it but I also really want to savor this stack of comix and not blaze through them like I normally do.

ANYWAY, yeah! CAB was really cool! I want to have some comics of my own there in 2015!